Oeuvres antérieures

My artistic work explores the links between perception and consciousness. Through immersive and experimental installations, I question the gaze as an active process that contributes to shaping our experience of the world.

In ‘Kaleidoscope of the Sky,’ a large eye made of mirrors reflects the viewer's image in the immensity of the sky. The fragmented image places each person in the simultaneous position of observer and observed. This mise en abyme of the gaze reveals the very act of perceiving and opens up a space for reflection on how consciousness is constructed through perception.

The photographic series ‘Dianatura’ extends this research. The camera's diaphragm becomes a metaphor for the iris of the eye. By absorbing the light and colours of the world, it evokes a consciousness in constant transformation, shaped by its environment. Observation then becomes a dynamic relationship between the subject and what they perceive.

This exploration also extends to the relationship between the senses. In ‘Symphonie des métaux’ (Symphony of Metals), five suspended drums react to the movements of the viewer's gaze, generating sounds. The gaze then acts as an instrument that transforms visual perception into a sound experience.

In ‘De l'un à l'autre’ (From One to the Other), a ‘visual flute’ activated by sunlight produces sound variations according to light intensity. The installation reveals a continuity between seeing and hearing, and highlights the way in which consciousness organises and connects sensations.

Through the integration of invisible sensors and sound devices, these works directly engage the viewer. The work thus becomes a space of experience where the visitor's perception participates in the very formation of the work.

Through this research, my work considers the gaze as a tool for exploring consciousness, revealing how our way of perceiving shapes our relationship to the world and to ourselves.