Oeuvres antérieures

My journey towards metasynergy

Origins : a fascination with the gaze
My work has its roots in a fascination with the gaze. How does it shape our perception of the world, and how does this perception influence the way we exist in the world, to the point of touching consciousness itself, and extending to the whole body in an immersive experience? My early works explore this question through photography and installation.

Between art and consciousness

These works explore the very nature of perception. They suggest that our senses, far from being compartmentalised, can harmonise and transform one another. Sight, hearing and bodily sensation resonate with one another as the usual boundaries shift.

Neuroscience now recognises the existence of spontaneous synesthesia. For their part, certain ancient traditions speak of the flow of subtle energies through the body, particularly through the hands and the eyes. My work lies at this point of convergence, between art, contemporary research and sensory practice.

In these installations, the gaze can become a conductor, vision can produce sound, and the body can generate a sonic material. The works open passages between the senses and, at times, broaden the field of perception.

I thus view my works as instruments of exploration, intended to test certain dimensions of consciousness through direct experience.

My artistic work explores the links between perception and consciousness. Through immersive and experimental installations, I question the gaze as an active process that contributes to shaping our experience of the world.

In ‘Kaleidoscope of the Sky,’ a large eye made of mirrors reflects the viewer's image in the immensity of the sky. The fragmented image places each person in the simultaneous position of observer and observed. This mise en abyme of the gaze reveals the very act of perceiving and opens up a space for reflection on how consciousness is constructed through perception.

The photographic series ‘Dianatura’ extends this research. The camera's diaphragm becomes a metaphor for the iris of the eye. By absorbing the light and colours of the world, it evokes a consciousness in constant transformation, shaped by its environment. Observation then becomes a dynamic relationship between the subject and what they perceive.

This exploration also extends to the relationship between the senses. In ‘Symphonie des métaux’ (Symphony of Metals), five suspended drums react to the movements of the viewer's gaze, generating sounds. The gaze then acts as an instrument that transforms visual perception into a sound experience.

In ‘De l'un à l'autre’ (From One to the Other), a ‘visual flute’ activated by sunlight produces sound variations according to light intensity. The installation reveals a continuity between seeing and hearing, and highlights the way in which consciousness organises and connects sensations.

Through the integration of invisible sensors and sound devices, these works directly engage the viewer. The work thus becomes a space of experience where the visitor's perception participates in the very formation of the work.

Through this research, my work considers the gaze as a tool for exploring consciousness, revealing how our way of perceiving shapes our relationship to the world and to ourselves.